Guitarist
Allan Holdsworth is widely considered to be one of the finest instrumentalists in all of jazz fusion, yet has never truly received the recognition that he so rightfully deserves. Born on August 6, 1946, in Bradford, Yorkshire,
Holdsworth was originally taught music by his father, who was a pianist.
Holdsworth didn't pick up the guitar until he was 17 years old, but learned the instrument quickly. After playing in local outfits (and learning the violin),
Holdsworth relocated to London, where he was taken under the wing of saxophonist
Ray Warleigh. By 1972,
Holdsworth had joined progressive rockers
Tempest, appearing on the group's self-titled debut a year later before joining
Soft Machine in December 1973 -- and radically changing the latter outfit's sound to guitar-based fusion in the process. U.S. drummer
Tony Williams discovered
Holdsworth around this time, which led to an invite for the up-and-coming guitarist to replace
John McLaughlin in
Williams'
Lifetime project --
Holdsworth abruptly left
Soft Machine in March of 1975, subsequently appearing on the
Williams recordings
Believe It and
Million Dollar Legs. But
Holdsworth's union with
Williams was a brief one, as the guitarist joined up with French-English prog rockers
Gong for such albums as 1976's
Gazeuse! (released as
Expresso in the U.S.) and 1978's
Expresso II, in addition to guesting on recordings by
Jean-Luc Ponty,
Bill Bruford,
Gordon Beck,
Jack Bruce, and
UK.
Also in the late '70s,
Holdsworth launched a solo career, which over the years has seen the release of nearly 20 albums (a few standouts include 1983's
Road Games, 1985's
Metal Fatigue, 1994's
Hard Hat Area, and 2000's
The Sixteen Men of Tain), as the guitarist has been joined by such acclaimed musicians as
Paul Williams (a former bandmate of
Holdsworth's in
Tempest),
Gary Husband,
Chad Wackerman,
Gary Husband, Jimmy Johnson,
Steve Hunt, and
Alan Pasqua, among others. In the mid-'80s,
Holdsworth was one of the first musicians to use a Synthaxe, a guitar that contained a breath controller that proved to be a cross between a synthesizer, guitar, and saxophone (
Holdsworth was awarded Best Guitar Synthesist from 1989 through 1994 in the readers' poll of Guitar Player magazine). In the '90s,
Holdsworth also created his own signature guitar model with the Carvin company. In the mid-'90s,
Holdsworth briefly shifted away from his fusion originals and recorded an album with longtime musical partner
Gordon Beck that dipped into jazz standards.
The Sixteen Men of Tain (2000) marked another shift, in that it was the first
Holdsworth release to feature an all-acoustic rhythm section. This was followed in 2002 by
All Night Wrong, his first official live release.
Then! Live in Tokyo was next, featuring
Holdsworth's 1990 live band, which was followed by
Against the Clock, a career retrospective, in 2005.
–
Greg Prato, Rovi