, he's done some of the most inventive, critically acclaimed work outside the confines of the group. Born
collective in the early '90s and played an important role on their groundbreaking late-1993 debut album,
.
Although the group's contract allowed its individual members to sign with whatever label they chose,
Raekwon stayed with Loud when the first round of
Wu-related solo projects began to appear. Following his 1994 debut single, "Heaven and Hell," his own solo debut,
Only Built 4 Cuban Linx, appeared in 1995; while it didn't sell on the level of
Method Man's
Tical, singles like "Ice Cream" and "Criminology" earned him a reputation in the hip-hop underground. Moreover, the album received near-unanimous critical praise for its evocative, image-rich storytelling and cinematic Mafia obsession (on some tracks, he adopted the guise of gangster Lex Diamonds). Also notable was
Raekwon's crackling chemistry with heavily featured collaborator
Ghostface Killah, who enjoyed something of a coming-out party with all the exposure (he hadn't been nearly as much of a presence on
Enter the Wu-Tang).
Raekwon returned to the
Wu-Tang fold for the group's 1997 sophomore effort,
Wu-Tang Forever. That LP was followed by a second round of solo albums, and
Raekwon's
Immobilarity was released in late 1999, this time on Epic. This time around, neither
RZA nor
Ghostface Killah contributed to the album at all and perhaps as a result, reviews were more mixed.
Raekwon recorded with
the Wu on their subsequent albums
The W (2000) and
Iron Flag (2001), and returned in 2003 with another solo album,
The Lex Diamond Story. He also released a sequel to his solo debut,
Only Built 4 Cuban Linx, Pt. 2, in 2009.
–
Steve Huey, Rovi