know only a fraction of a brilliant, multi-faceted talent. Musicians are far more familiar with him. The list of world-class players he has performed with is staggering --
G.E. (George Edward) was born in suburban Stroudsburg, PA., where he was playing guitar at four. For years, he's hung on to his first electric axe, a 1952 Telecaster made the year he was born. He vividly remembers
Peter, Paul & Mary and
Dylan's first album in 1963. Catching the legendary
Odetta and
Josh White at a taping of the TV show Hootenanny left a lasting impression. Not even shaving yet, he was supporting himself as a musician, playing high school dances and Poconos resorts, often with bandmates twice his age.
Smith gravitated to the New Haven, CT., area and hooked up with
the Scratch Band for some memorable club dates up and down the East Coast in the first half of the '70s.
Dan Hartman gave
Smith his first real break by hiring him to front his band for a lip-synch tour of Europe. Once back in the States,
Smith headed for Manhattan and became the guitarist for
Gilda Radner's 1979 Broadway show Gilda Live.
Smith's life also changed in 1979 when he began a six-year stint as lead guitarist with
Hall & Oates. The hits included "Kiss on My List," "Private Eyes," and "Man Eater," and they toured incessantly.
Smith recalls how they once toured in the summer in the northern hemisphere followed by a summer tour in the southern hemisphere, avoiding the New York winter.
The fantasy part of his career began in early 1985 at the Live Aid and Farm Aid concerts. The
Hall & Oates band became the house band for both events, and
Smith was the de facto music director. He played with
Jagger,
Turner, and whoever else didn't have a band.
Jagger used
Smith on his first solo album
She's the Boss, as well as on
Primitive Cool. The hard-working
Smith also played on some one-off recordings and concerts with
Bowie,
Peter Wolf, and others.
When
Hall & Oates took an extended break from music,
Smith was offered the job of Saturday Night Live music director due to contacts made through
Radner. Besides winning an Emmy for his work with the consistently excellent SNL band,
Smith performed with a stunning list of guest musicians --
Keith Richards,
Al Green,
Rickie Lee Jones,
Bryan Ferry, and others. He played out his fantasies by inviting hot guitarists to drop in unannounced, including
Eddie Van Halen,
Johnny Winter,
David Gilmour,
Lonnie Mack,
Dave Edmunds, and
Buddy Guy. The
Guy connection led to
Smith and the SNL band backing him for a Grammy-nominated live album. While with SNL,
Smith wrote a theme song for
Mike Myers to go with the "Wayne's World" skit.
Smith wrote it to suit
Aerosmith, that week's guest. When the skit became a hit movie, the soundtrack with
Smith's tune became a platinum-selling smash. Also during his SNL tenure,
Smith toured for four years with
Dylan, jetting all around the world and flying back in time for Saturday night's live show. As if he didn't have enough to do,
Smith was the music director for special events including the 1988 Emmy Awards, the 1993 Rhythm and Blues Foundation Awards, a Rock 'N Roll Hall of Fame Museum concert, and the
Dylan 30th anniversary concert at Madison Square Garden. It was a dream come true for the kid from Stroudsburg -- he'd rehearse with
George Harrison in the morning,
Clapton in the afternoon, and
Lou Reed in the evening. "One afternoon, rehearsing the finale, I had
Harrison,
Tom Petty,
Clapton,
Neil Young,
Dylan, and
Roger McGuinn all lined up and I'm saying,'OK,
George, you sing here;
Eric, you play now;
Bob, you come in now. . . .' "
As the century was drawing to a close,
Smith was recording and running a small but expanding record label, Green Mirror Music, with talented singer/songwriter
Taylor Barton, whom he married. Former SNL bassist
Paul Ossola, former
Wings drummer
Steve Holley, and guitarist
Tom Cosgrove were backing up
Smith and
Barton.
–
Mark Allan, Rovi