It's almost hard to believe given the commercial and critical success later enjoyed by
as a screen actor that he was once the laughingstock of the hip-hop nation -- under the guise of
was a pretty-boy pariah within the rap community, although he did score a chart-topping pop smash with the single
.
. After just three months
went on to emerge as one of the most commercially successful pop acts of the decade, earning untold millions on recordings and merchandise that appealed almost exclusively to teenage girls.
In the meantime,
Mark ran afoul of the law -- in 1986 he was charged with racial harassment of a group of African-American students, and two years later he spent 45 days in prison after attacking a Vietnamese man. (Both incidents were detailed on the fan site www.markrobertwahlberg.com as part of a time line with the subhead "
Mark Wahlberg -- the loser.")
Donnie agreed to help his troubled sibling restart his music career if he cleaned up his act, and after adopting the stage name
Marky Mark, in 1990
Wahlberg formed
the Funky Bunch with dancers/rappers Scott Ross (aka Scottie Gee), Hector Barros (Hector the Booty Inspector), Anthony Thomas (Ashley Ace), and
Terry Yancey (
DJ-T).
Donnie Wahlberg not only agreed to produce his brother's music, but also landed
the Funky Bunch a slot opening for
New Kids on the Block; the group's debut LP,
Music for the People, followed in 1991, topping the pop charts on the strength of its lead single,
Good Vibrations, which also hit number one. Rap purists were appalled by
Wahlberg's mediocre lyrical skills, lame samples, and tired beats, but the same teenage constituency that embraced
the New Kids bought the record in droves -- he also earned the approval of some older fans based on a series of revealing Calvin Klein underwear ads, even enjoying a rumored affair with
Madonna.
You Gotta Believe followed in 1992, but in the wake of
Nirvana's landmark
Nevermind, audiences had forsaken fluffy teen pop for grunge, and the record failed badly in its attempts to recapture the success of its predecessor.
The Funky Bunch never formally disbanded, but in 1993
Wahlberg made his film debut in the direct-to-video effort
The Substitute, and then earned surprisingly strong critical notices for his work in 1994's
Renaissance Man and the following year's
The Basketball Diaries. He earned his first starring role with 1996's
Fear, and in 1997 rocketed onto Hollywood's A list with his starmaking turn as well-endowed porn star Dirk Diggler in
Paul Thomas Anderson's much-acclaimed
Boogie Nights. Solid work in films including
Three Kings and
The Perfect Storm further rehabilitated
Wahlberg's image, and as the new millennium dawned he was firmly ensconced as a leading man, headlining projects including 2001's remake of
Planet of the Apes and the following year's
The Truth About Charlie. Theologians still maintain there is a special place in Hell reserved for
Wahlberg in return for the pain he inflicted during his mercifully brief career as a rapper.
–
Jason Ankeny, Rovi